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Noura Al -Waltiti: “I contributed to the Amazigh cinema with personal sacrifices and I refuse to exploit the artist. »»

Noura Al -Waltiti: “I contributed to the Amazigh cinema with personal sacrifices and I refuse to exploit the artist. »»
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This article was automatically translated from HIBAPRESS, the Arabic version:

This article was automatically translated from Hibapress, the Arabic version:

Heba Press- Abdul Latif Baraka

Actress Noura Al -Walti said that before playing in the film “Zrifa”, which won dozens of prizes, she was eager to review the cultural and civilizational heritage of Amazigh memory, whether in an apartment oral or documentary, in the hope that it will be at the level of the transition period of his artistic personality in the series of lyrical films in which her career began to what she called “director Abdel Aziz Osayh School”.

Actress Noura Al -Waltiti, who spoke in the dialogue program, “Nishan Osama” presented by journalist Mohamed Amkhao on the open broadcast platform “Masonic”, expressed her happiness to work alongside those who ‘Call Amazigh Acting icons: Al-Zahia Zahiri, Rabia Tazzat and Khadija Amezian.

While the Amazigh star refused to talk about the details of her artistic works, because of what she considered “professional and moral standards”, she found no abstinence in the response to her new artistic titles During the coming month of Ramadan, and it is linked to the role of the championship in television work “Bint Al -Deeb”, the series of songs and the praise inspired by religious heritage in Souss.

Actress Noura Al -Waltiti explained that she had contributed to the sacrifice and the self-spouse of artistic projects with limited and semi-naked capacities, in order to pamper the obstacles to the production of works of art that The Amazigh cinema would progress.

She pointed out that her last concern is the material aspect, but at the same time, she completely rejects the exploitation of the artist’s sacrifices by certain production companies that do not feel the size of these sacrifices, which are funded for art and the artist first.

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