This article was automatically translated from HIBAPRESS, the Arabic version:
This article was automatically translated from Hibapress, the Arabic version:
Muhammad Manfalti_ Heba Press
To celebrate the National Theater Day, which fell on May 14, the College of Languages, Arts and Human Sciences organized an academic meeting, through which it welcomed one of the eminent names of theatrical research and decorative studies in Arabic and international, Professor Khaled Amin, who gave an intellectual conference entitled:
“Power and knowledge in the Arab theater: decor critics. »»
The Academic Meeting, Which Was Hosted by the Runway of Human Sciences, was waiting by the Dean of the College, Abdul Qadir Sabeel, and the Coordinator of the Meeting, Dr. Youssef Amfakka, Comes from the College to Establish Research Traditions, Consolaidate Bridges of Communication Between The Academic Circles and the Academic Circles and Field of Theatrical Thought That Is Open To Performance Studies, and Enhancing the OpenNess of Students and Researchers to Leading Intellectual Experiences with national and international radiation.
Professor Khaled Amin is a Writer, Academic and Moroccan Researcher, A Professor of Higher Education at the Faculty of Arts and Humanités in Meknes in 1993, then at the Faculty of Arts and Humanités in Tetouan of Abdel -Malik Al -Saadi University in Which He Stayed Until, Was Reinforced by the Pioneering Roles of the Theater and the Arts of Al -faraja in the Various Disciplines in that he studied.
The beginning of “Khaled Amin” was a doctorate in English literature and a comparative criticism in 2000, where he presented a letter in which he studied “Shakespeare in the Moroccan theater” with a joint supervision between England and Morocco, after having obtained a master’s degree from Essex University in England. Khaled Amin says: “Since my steps set foot at the University of Great Britain in 1990 with the aim of third cycle studies, Roger Hurord, head of the theater department of this prestigious university, faced me with a question:” What about Moroccan theater? ” “Then, I realized that it was my duty to work on me within the limits of his relationship with the other, so the launch of Shakespeare in the Moroccan theater was accompanied by my teacher, Dr. Hassan Al -Munai’i and Professor Mohamed Al -Amiri
Dr. Khaled Amin Founded the International Center for Al -farajah Studies, Which was initially related to the “Research Group in theater and drama” at the Faculty of Arts in Tetouan, then made it an independent Institution Cooperating with the College in the Framework of An Advanced and Productive Partnership, and Held Many Partnerships with Moroccan and International Research and International Research Centers, Including the University of London, and the “International Research Center for the Conshessi of the Farajah Cultures” German theatrical studies of the Free University, Erica Fisher Lynch.
Dr. Khaled Amin is really considered an ambassador of the Moroccan theater in the western arms.
The research experience of Dr. Khaled Amin was not paved, but rather sculpted from a rock, because we fell during a period in the traps of Eastern Mediation as he calls it, which produced a strong desire to change the image of theatrical criticism in studies written in English in particular, and in the worlds of Anglo-Saxon in general. Despite this path full of school achievements, professor “Khaled Amin” describes his experience as “modest”, and we even find him to seek his happiness by strengthening the image of the Moroccan theater and the human depth of Moroccan grades in festivals, universities and Western institutions.
In addition to solid work in Western and Arab research centers, Dr. Khaled Amin founded a distinguished experience embodied in the “International Tangier Festival of Scepse”, which has reached its twentieth session, and since 2007, it included a scientific role in the context of the scientific seminars of specialized university, round tables for students and researchers, and a presentation of specialized publications. Add to that the Farajawi part, and he includes theatrical, Vagurian and performance shows, with the honor of national and international theatrical characters.
The Tangier Mashhadiya Festival Courses Were Known, the Arrival and Cooperation of Promine Western Names Such As Patrice Bavis, Richard Shekkner, Marsen Carlson, Gabriel Brandchetter, Carroll Martan, Crystel Filler, Stephen Barber, and Nicholas Muller Shul… Therefore, Dr. Khaled Amin is consider. This festival as an intellectual Table Between the East and the West, has the denial of an academic scientific foundation in the high ends, confirms in its saying: “I do not pretend that I have achieved a lot, but I tried as much as possible to contribute to extending the bridges of self-commissioning and the last in the north of the Cisjordan. whose Maghreb theater is important.
Other details of this meeting, which attended by Heba Press:
https://www.youtube.com/watch?v=P3WMDFX5-GA
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