This article was automatically translated from HIBAPRESS, the Arabic version:
This article was automatically translated from Hibapress, the Arabic version:
The curtain was closed last night on Saturday evening on the activities of the 26th session of the Knawah and Music Festival, after three days of artistic mixing and cultural dialogue, during which the public of Essaouira lived an exceptional musical and spiritual experience, crossing borders and models.
This session was known to a broad rate of popular participation, because visitors enjoyed high musical performances which combined the spirit of the old Kanawah and the diversity of international rhythms, which made Wind City a kiss for lovers of musical originality and a space to reflect on immigration problems and human engines and its relationship with cultural dynamics.
The festival and its various and distinguished programs also constituted an opportunity to discover the ancient city and its charming spaces, with its rich historical heritage and cultural infrastructure, as well as its remarkable tourist qualifications.
In one of the most important moments of the festival, the artist of Canaan Hind Al -Na`ira, the daughter of the city of Essaouira, appeared on the public of the Moulay Al -Hassan platform with a breathtaking performance which was distinguished by its strong spontany and its spiritual depth, because this historic space swelled a brilliant show and its strength.
With each tone and each movement, Hind Al -Na`ira has affirmed, with confidence and paper, its position as one of the most eminent women of the contemporary Moroccan scene, has renewed the link between heritage and modernity, and is underlined the ability of art to break the barriers and reshape the stereotypes.
Among the moments of collective creativity, the same platform saw an incredible musical show that brought together Professor Mohamed Boumzoug and Anas Shalih in Morocco, as well as international musicians from France and Côte d’Ivoire, including Tao Erlich, Martin Geban, Queen Gomari and Ali Kita. The show was distinguished by the merger of the machines “Al -kambari” and “Al -qarik” with Al -Ballaboun, Al -Drams, Al -Qarfun and the trumpet, to spread this artistic musical mixture on the public with various sound combinations and daring improvisation.
The expectations Enjoyed Impressive Songs that are offered from the depth of the Canadian Heritage and Wove Their Aesthetics with contemporary creativity, to find the audience itself as a coordinator, voluntary, to Repeat it with the Brilliant Artist, Mohamed Boumzouj, who was not To perform, but Rather a Musical Magician Who Broadcasts Magic Kanoua to Everyone Who Wait, With His Unique Style, His Captivating Voice, and his rhythm that triggered the space and the limits between the woods and the public.
With the escalation of musical euphoria, the artist Hajar Al -Alawi joined the group at the time of the artistic and public fusion, to add to the show a feminine touch saturated with sensation and strength, then she sparkled with her distinguished performances, and she transports songs from Riberoa Al -kanawi to new layers of expression and suggestion.
The same night experienced a special moment with the artist Omar Hayat, who is with the sweetness of his voice and his sincere communication, he managed to create a moment found on the platform of Moulay Al -Hassan, during which he spoke of feelings and nostalgia, and the public merged with him in a life full of life, making music a bridge between memories and current emotions.
The public was at an appointment with the “simulated” show, which combines exhibition and artistic spirit, and musical messages that celebrate freedom, diversity and Afro-Latin affiliation, like the atmosphere of a state of transitional musical harmony prevailed, in which the van is harmonious with bacteria and rhythms with blues.
The Simavanique evening of the Kanwa Festival was not only a pass concert, but rather an artistic moment drawn from innovation, which attended a unique meeting between Cuban culture and the Moroccan canal spirit, represented in a joint performance which was collected by the professor, Khaled Sanei, the most prominent holders of the authentic traditions of Cana.
In a moment of musical magic, the clicks of “Al -qirq” were launched to kiss the tunes of the guitar, the trumpet and the pace of the Caribbean, in the middle of the applause and the swing of the public, because the mixture between the croc and the Kenawi began spontaneously, but it is a harmony elaborate.
It should be noted that the 26th edition of the Knawah and Music Festival, which turned on the sky of the Wind City, welcomed 350 artists, including 40 Knawia, which presented 54 concerts on the agenda of various music dates, and provided the public with an integrated musical experience through an artistic mix on the most famous platforms in the city of Essaouira.
In addition to the concerts, the twelfth session of the Human Rights Forum, which is organized under the slogan “human marks and cultural dreams”, took place, in partnership with the Moroccan Community Council abroad. This session inherited from the opportunity to broaden the discussion by exploration, as well as economic contributions, cultural contributions to migration and communities for countries of origin, passage and destination.
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