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Ait Meloul .. Egyptian Egyptian imprint at the end of the Souss International Film Festival

مهرجان سوس الدولي للفيلم القصير
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This article was automatically translated from HIBAPRESS, the Arabic version:

This article was automatically translated from Hibapress, the Arabic version:

Heba Press – Art

The evening was curtain during the seventeenth session of the Souss International Film Festival, which was organized by the city of Ait Meloul, to extinguish the city of its lights on the impact of the news, which has left its impact on the conscience of an audience that experienced moments of visual magic under the slogan “Cinema and family problems”.

The Ait Meloul cultural center has adopted this event, which has transformed into a visual space for the cross -fertilization of cultures and a space of meditation on human issues through the seventh art. The course, which was organized with local cooperation and institutional support, was characterized by a loaded program which combined cinematographic shows, training workshops and cash signatures.

21 short films, distributed between the novelist and the documentary, fought the official competition, under the eyes of two specialized committees. Regarding prices, he brought an Arab artistic signature with distinction, because Iraq was crowned the Grand Prix of the feature for his work “Eskafi Paradise”, while the great Documentary Award was reported in Egypt for the film “303 Samaha”, to bring together the Arab cinema between the banks of the Tigris and the Nile again.

Films from Morocco, Syria, Lebanon and Sudan have also illuminated the sky of the festival, whether by prices or special notes, reflecting the richness of cinematographic experience in these countries, and its ability to express humanitarian problems in an impressive visual language.

In the presence of music and light, the curtain disappeared during a festival which was not only an artistic demonstration, but a cultural event which embodied how the cinema could ask for reality, and to forge the sons of the dialogue between cultures, at a time when the need for a human resembled an increase.

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