This article was automatically translated from HIBAPRESS, the Arabic version:
This article was automatically translated from Hibapress, the Arabic version:
Heba Press
In a historical transformation which folds a century, the famous golden mask of King Tutankhamun is preparing to leave the Egyptian museum of Tahrir Carré, heading towards its new headquarters in the corridors of the great Egyptian museum located near the pyramids of Giza, which should be officially open on July third.
This mask is an unforgettable symbol of symbols of ancient Egyptian civilization, one of the most important and precious artifacts of the Tutankhamun group, which for decades has been an element of major attraction for millions of visitors from around the world.
The director of the Egyptian Liberation Museum, Ali Abdel Halim, said in declarations to “Agency France Presse” that the museum currently includes 26 pieces from the young king’s group, including the golden mask and two sarcophagus, explaining that these pieces will be completely transferred to the Grand Egyptian Museum, while the Mumy will remain in the King Site valley.
The transfer of the mask is within the framework of the final preparations for the opening of the great Egyptian Museum, which is the largest of the genre in the world in terms of specialization in a civilization, which is pharaonic civilization. The new museum extends over an area of half a million square meters, equivalent to twice the Louvre Museum region in Paris, and more than double the British Museum in London.
It is planned that the opening of the museum will be a global event, because the CEO of the Grand Egyptian Museum, Ahmed Ghoneim, revealed the organization of an impressive opening ceremony which highlights the old Egyptian history and reflects the visual integration between the museum and the pyramids.
The museum will display thousands of artefacts covering 7,000 years of history, statues of the huge pharaohs with daily tools used by the ancient Egyptians, as well as an integrated and special offer in the treasures of King Tutankhamun, which is presented for the first time combined in one place.
While Cairo deposits the Mask of the Golden King, which was part of its cultural identity for decades, Giza is preparing to adopt a new chapter of the novel of Egyptian civilization, reflecting a recent vision of the mixture of heritage and modernity, and confirms the position of Egypt as a cradle of civilizations and a global tourist destination.
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