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Moncef Malzi responds to the accusations of Al -Houbi and clarifies the fact that his financial contributions are stolen

Moncef Malzi responds to the accusations of Al -Houbi and clarifies the fact that his financial contributions are stolen
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This article was automatically translated from HIBAPRESS, the Arabic version:

This article was automatically translated from Hibapress, the Arabic version:

Heba Press-Al-Salamali

The Moroccan director Moncef Malzi responded to the accusations against him, the artist Mohamed Al -Shoubi concerning the failure of his financial contribution, through an explanatory declaration which he published via his Facebook account.

Malzi explained that he was counting on his personal savings, in addition to the financial support of Professor Aziz Taher, to finish the film “Baynaki 2”, stressing that he has not yet reached the support devoted after the production of the film Center MoroccoCan.

He declared in his declaration: “I would like to sincerely thank all those who contributed to the completion of this work, mentioning in particular Professor Aziz Taher for his precious financial support. I also thank all the technicians and artists who contributed to the success of the film. »»

He stressed that the post-production film support committee allocated the amount of 600,000 dirhams to work, but it has not yet been spent, because it is linked to the completion of certain administrative procedures.

In his response to what circulated in the reception of this support, Malzi said: “I would like to lie to the news that I was supported, and anyone can check it. Unfortunately, the news is published without checking its authenticity, which is sad.

He also pointed out that the work team continues to complete all the procedures necessary to pay financial contributions, apologizing for any delay and claiming its commitment to close all financial files as soon as possible.

He concluded his declaration by thanking all those who supported and supported his project, stressing his commitment to present cinematographic work worthy of the Moroccan public.

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