This article was automatically translated from HIBAPRESS, the Arabic version:
This article was automatically translated from Hibapress, the Arabic version:
The expert in digital transformation, Hassan Al -Bouhali, confirmed today, Sunday in Khouribga, which artificial intelligence was found first in the imagination of cinema, which treated this idea for decades, and greatly contributed to the formation of our collective awareness of technology.
The expert explained during a symposium devoted to technological transformations in the seventh world of art, organized in the activities of the 25th session of the Khouribga International Festival for African Cinema, that cinema was not limited to providing visions of artificial intelligence which raises the threat or positive concerns, even ambiguities, but also of Nurentined the hop Concernals which today supports the tools of intelligence of creating the protection of the procedure of proof.
On the other hand, Mr. Al -Bouhali, who is also director of the International Festival of Digital Arts in Khouribga, stressed that artificial intelligence can be considered a creative tool that serves the film industry. “Unlike artificial intelligence in general, creative artificial intelligence is specially designed to produce new content from the content previously present,” he said.
In this context, he stressed that the first films festival produced with artificial intelligence has already taken place, and it is linked to the new festival, “Artfact, for artificial intelligence films” in France, which celebrates cinematographic works entirely produced by artificial intelligence.
He continued that this fact raises many problems and discussions, in particular with regard to the question of copyright, because “artificial intelligence does not create anything from anything, but rather depends on the current content in advance”, adding that it is a problem which concerns various cultural industries.
In response to a question on the possibility of considering a work of artificial intelligence as an artistic work, Mr. Al -Bouhali recognized the difficulty of this discussion, considering from his point of view that “once someone describes a fully productive work of artificial intelligence as art is art.”
During the second day of the Khouribga Festival, the competitions will start with the screening of three films in the category of long films, which is the film “Omokani” by Rwanda by John Cuane, and the film The film “Warsa / Heritage by Aaron Badak Zigoubi, and” Wind Tattoo “by the Triki Laila de Morocco.
In the category of short films, three films will be broadcast, “The Question”, the Luke Roatil committees of Togo, and Ethiopia, “The Medal” of the Hondoma, and the Central African Republic, the film “A picture of a woman without face” by Saadia Kosanco.
The Khouribga International Festival for African Cinema is organized under the big patronage of His Majesty King Mohammed VI, and during this session, it receives 350 cinemas from 45 countries, to celebrate African cinematographic creativity, its emerging talents and its deep transformations.
This session is held under the slogan “attractive storytellers with the rigor of algorithms: sexual intercourse of African cinema”, because it aims to open a deep discussion on the impact of artificial intelligence on professions, stories and cinematographic imagination on the African continent.
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