HIBAPRESS – E. Al-Samlali
The mask of "travel and exploration" worn by the Polish content creator "Eva Zu Beck" was nothing more than a flimsy facade that quickly tore, revealing a poisonous political agenda targeting the national constants of the Kingdom of Morocco.
In an irresponsible step, she exploited these digital platforms to broadcast content from the heart of the Moroccan Sahara overflowing with historical fallacies, employing loaded terms that strike at the depth of territorial unity and undermine the sovereignty of the state. This slip from "travel literature" to "misleading propaganda" is not just a fleeting mistake, but rather a blatant attempt to serve hostile parties, by wrapping separatist rhetoric in a misleading tourist touch, which sparked a storm of popular and national condemnation, manifested in firm demands for official intervention to put an end to this tampering with the nation's sacred values. Faced with the torrent of popular responses that exposed the falsity of her claims, "Eva" found no way out but to resort to "digital escape" by closing the comments feature, in a desperate attempt to silence the voice of truth and avoid moral confrontation, which increased the insistence of activists and activists to demand legal accountability and empty the contents of her cameras for fear that her tours in sensitive areas have exceeded the limits of tourist photography to what is more dangerous. And given her record filled with creating crises, from national symbols in Pakistan to trading in the tragedies of Syrians, it is clear that we are in front of a pattern of "digital mercenary" who feeds on stirring up sedition. And social media pioneers saw that infringing upon the dignity and unity of Morocco is not a point of view, but a red line that requires legal rigor to deter anyone who would dare to exploit Moroccan hospitality to undermine the constants of the homeland.
