This article was automatically translated from HIBAPRESS, the Arabic version:
This article was automatically translated from Hibapress, the Arabic version:
A scientific symposium organized yesterday, Saturday, on Saturday in Marrakech, underlined the aesthetic and unitary objectives of Moroccan calligraphy of Sahrawi, on the initiative of the association of Contemporary Arts Dialogue. The symposium has brought together a number of university and academics professors, who have discussed the book “The calligraphy of the Moroccan desert: aesthetics and a unitary city”, written by Mohamed Al -Bandouri, in which he treated the importance of this line as an integral part as an integral part of the Moroccan heritage.
Symposium participants, which was organized in partnership with the Collective Council for Marrakech and coordinated with the International Center for the Arabic Language Service and the Horizons Foundation for Studies, Publication and Communication, the important role that the line The Moroccan desert plays by emphasizing the national identity, noting that it contains historical and material evidence which confirms the Moroccan Sahara. Whether through manuscripts, old documents or Sukuk which recounts deep ties between the different regions of the kingdom.
Participants addressed the importance of the Moroccan desert line in promoting citizenship and the cultural and religious identity of Moroccans. They also stressed that the Moroccan heritage, in its different dimensions, is a rich reference which contributes to preserving national memory.
For his part, Mohamed Al -Bandouri explained that his book “The line of the Moroccan desert: aesthetic and unitary intentions” is the result of a deep academic research which highlights cultural and artistic links between the different Moroccan regions , explaining that the desert line is characterized by a distinct aesthetic and reflects the interaction between many cultural and artistic components in the field of line.
As for the university professor Abbas Arhila, he indicated that the book embodies the clear ties between Morocco and its desert by exploring aesthetics in the line of the desert, noting that the book provides proofs of the territorial integrity of the kingdom .
The participants reviewed several subjects of the symposium such as “calligraphy and identity”, “the semiotics of forms in the calligraphy of the Moroccan desert” and “the drawing of the Moroccan desert as a symbol of identity and patriotism”, stressing that the Moroccan desert line reflects the Moroccan line and Moroccoie cultural and dirty unit.
